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biography
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Lukas Hagen - violin
Rainer Schmidt - violin
Veronika Hagen - viola
Clemens Hagen - violoncello

CONTACT MANAGER
Susie McLeod Manager

Jenny Ball
Assistant

Regarded internationally as one of the foremost string quartets of the day, the Hagen Quartet consists of the two brothers Lukas and Clemens and their sister Veronika Hagen and, since autumn 1987, Rainer Schmidt. The Quartet studied at the Salzburg Mozarteum (where they have themselves taught since 1988) and in Basel, Hannover and Cincinnati, where they were taught by such distinguished musicians as Hatto Beyerle, Heinrich Schiff, Walter Levin and Nikolaus Harnoncourt. They won the Audience Prize and the Jury Prize at the Lockenhaus Festival in 1981, where they have since returned regularly, and went on to win first prize at the Evian Competition in 1983 and the Portsmouth Competition in 1982, which led to their Wigmore Hall debut.

RELATED LINKS
Newsletter/Autumn 1998:
The Hagen Quartet gave three sold-out concerts at the Edinburgh Festival


Newsletter/Spring 1998:
International Chamber Music Season at the Queen Elizabeth Hall

Since then they have become frequent guests of major concert promoters across the globe, touring extensively throughout Europe, and to the USA, South America, Asia (especially Japan) and Australia. Last season they appeared in most of the major European cities, including London, Paris, Amsterdam, Brussels, Vienna, Salzburg, Munich, Milan, Rome, Madrid, Barcelona, Athens, besides touring North and South America. On 1 January 2002 they were special guests in the famous New Year’s Day concert of the Vienna Philharmonic, which is broadcast to 800 million people around the world.

The Hagen Quartet is committed to interpreting works by contemporary composers such as Ligeti and Lutoslawski, alongside their explorations of the rich heritage of the quartet repertoire stretching back to Bach. This is reflected in their diverse recordings for Deutsche Grammophon, with whom they have had an exclusive contract since 1985. In 1987 they were awarded the Grand Prix International du Disque for their Dvorak/Kodaly disc, and won it again in 1990 for their recording of three Haydn Quartets. Their latest releases include the complete Bartok quartets, Verdi/Puccini, and a Dvorak/Schulhoff/Kurtag disc.

Lukas Hagen plays a violin made by Antonius Stradivarius in Cremona 1724, and Veronika Hagen plays a viola by Giovanni Paolo Maggini of Brescia, both of which were kindly loaned to them by the Austrian National Bank (Österreichische Nationalbank).

April 2002



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discography
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reviews
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They play with concentration and commitment, with passion, panache..their sense of characterisation is remarkable..a group that knows precisely what it is doing…I found I’d been hanging on every note.
Edinburgh Festival, Bartok, Beethoven, Haydn

Their performance was filled with subtlety and wonder…the playing was breathtaking in its precision, dynamism and agility…a thrilling encounter.
Wigmore Hall, Beethoven (The Independent)

The Hagen Quartet finds just the right approach, with well-judged tempi and carefully balanced textures…The Hagen Quartet plays with sensitivity, serving the music with distinction.
Verdi, Puccini/DG (BBC Music Magazine)

The control of colour and phrasing and the superb ensemble are all predictable Hagen qualities, but the way in which they characterise each work wtihout emotional exaggeration or special pleading is also a model of its kind.
Shostakovich/DG (The Guardian)

Rarely has the Andante (of Schubert G major Quartet) emerged so desolate or spectral as here, or the gossamer Scherzo been played with such quicksilver delicacy…(The Beethoven op.95) is eloquently done, with perfectly judged balance of parts and, as throughout this disc, and uncommonly close rapport between the players.
Schubert & Beethoven/DG (Daily Telegraph)

Their presentation of Mozart’s most famous serenade brings it up as fresh as if a picture restorer had removed the accumulated grime of two centuries, so that if I suggest that they play it as if they had never heard it before, I mean it as a compliment.
Mozart Eine Kleine Nachtmusik/DG (Gramophone)

Formidable precision and great rhythmic elan.
Brahms quintets/DG (Gramophone)

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