click photo to enlarge James MacMillan composer / conductor

biography
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""The most exciting young British composer to have emerged in the 1990s" (The Guardian)

CONTACT MANAGER
Catherine Petherbridge Artist Manager/
Promotions Manager


Stephen Chamberlain
Assistant to Artist Manager/
Promotions Assistant

Born in Ayrshire, Scotland in 1959, James MacMillan is one of today’s most successful living composers. His music is notable for its extraordinary directness, energy and emotional power. References to Scottish folk music imbue MacMillan’s work with a strong sense of the vernacular, while strongly-held religious and political beliefs coupled with community concerns inform both the spirit and subject matter of his music.

The successful premiere of his Tryst in 1990 at the St Magnus Festival led to his appointment as Affiliate Composer of the Scottish Chamber Orchestra. His works are now performed throughout the world by such orchestras as the New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic, Pittsburgh Symphony, Boston Symphony, Montreal Symphony, Toronto Symphony, Rotterdam Philharmonic, NHK Symphony, etc.

RELATED LINKS
BBC Philharmonic

Boosey & Hawkes

Newsletter/Spring 2001:
Record Shelf

Newsletter/Autumn 2000:
MacMillan in Manchester

Newsletter/Spring 2000:
MacMillan conducts premiere of his Second Symphony

Newsletter/Autumn 1999:
Beginning September 2000, James MacMillan will take up the role of Composer / Conductor with the BBC Philharmonic

Newsletter/Autumn 1999:
BBC Proms 1999

Newsletter/Spring 1999:
Welcoming James MacMillan

Among MacMillan’s major works are The Confession of Isobel Gowdie, premiered at the BBC Proms in 1990, Veni, Veni, Emmanuel, the percussion concerto written for Evelyn Glennie which has received more than 200 performances, The World’s Ransoming, commissioned by the London Symphony Orchestra, a cello concerto for Mstislav Rostropovich and the music-theatre piece Búsqueda. He has been a featured composer at the Edinburgh, Huddersfield and Bergen Festivals and was the focus of the South Bank Centre’s Raising Sparks festival in 1997.

Beginning in September 2000, MacMillan became Composer/Conductor of the BBC Philharmonic, succeeding Sir Peter Maxwell Davies in this role. Recent conducting activities around the world have included the Philharmonia, Rotterdam Philharmonic, Sydney Symphony, West Australian Symphony, Residentie Orkest, London Sinfonietta, Birmingham Contemporary Music Group, Ulster Orchestra, Britten Sinfonia, Iceland Symphony, Orchestre National de Montpellier, Orchestre de Picardie, Orquestra Nacional de Porto, Scottish Chamber Orchestra (including a tour of Sweden), Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Queensland Symphony and Trondheim Symphony. He has also directed several of his own works on recordings for the BMG and BIS labels.

Conducting highlights of season 2002/3 include the world premiere of a new work with the London Symphony Orchestra, the Los Angeles Philharmonic New Music Group, Melbourne Symphony, Queensland Symphony, West Australian Symphony, Norwegian Chamber Orchestra, Orchestre de Bretagne, Jenaer Philharmonie and Britten Sinfonia.

He also continues in his role of Composer-Conductor with the BBC Philharmonic, including conducting at the Huddersfield Festival, recording for Chandos and concerts at the Bridgewater Hall and St Paul’s Cathedral for the City of London Festival. In the summer of 2002 MacMillan will have a residency at the Saratoga Festival in the USA featuring his chamber music and involving coaching, talks and discussion of his music. Future conducting highlights include the NHK Symphony, Sydney Symphony, Philadelphia Orchestra players and a developing relationship with the Residentie Orkest.

James MacMillan is represented by Intermusica Artists’ Management Ltd, London. The works of James MacMillan are published by Boosey & Hawkes.

July 2002

short bio


For further publicity information on this artist, please click here

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repertoire
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view recent and forthcoming conducting programmes here (1 page in Microsoft Word)

view full repertoire here (3 pages in Microsoft Word)

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discography
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Latest release:

James MacMillan The Birds of Rhiannon /
Magnificat / Nunc dimittis /
Exsultet / Màiri / The Gallant Weaver
BBC Philharmonic Orchestra
BBC Singers
James MacMillan, conductor/

CHAN 9997
James MacMillan Symphony No 2 / Sinfonietta / Cumnock Fair
Scottish Chamber Orchestra
James MacMillan, conductor
BIS-CD-1119
James MacMillan Symphony No 2 / Sinfonietta / Cumnock Fair
Scottish Chamber Orchestra
James MacMillan, conductor
BIS-CD-1119
James MacMillan Three Dawn Rituals / …as others see us…
Scottish Chamber Orchestra
James MacMillan, conductor
BMG Catalyst 09026-61916
James MacMillan Brittania / Sinfonietta / Sowetan Spring
Royal Scottish National Orchestra
James MacMillan, conductor
BMG/RCA Red Seal 09026-68328
James MacMillan Búsqueda / Visitatio Sepulchri
Scottish Chamber Orchestra
James MacMillan, conductor
BMG Catalyst 09026-62669
James MacMillan Cantos Sagrados / Seven Last Words from the Cross
Polyphony
London Chamber Orchestra
James MacMillan, conductor

BMG Catalyst 09026-68125
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reviews
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"The most exciting young British composer to have emerged in the 1990s"
The Guardian

"His recent account of Stravinsky’s Dumbarton Oaks concerto given with the Scottish Chamber Orchestra at City Hall, Glasgow was superior, it must be said, to the one I heard by Sir Simon Rattle and the Birmingham Contemporary Music Group in Paris the week before. Where the BCMG’s was routine and occasionally insecure, the SCO’s had bracing textures and dead-right tempi that let the neo-Bachian idiom come across in all its witty incisiveness. The intersecting lines were almost palpable: they had the tang of resin and the crispness of reeds. The pair of horns riding dangerously high at the end snatched a victory for counterpoint."
Sunday Times

"MacMillan’s performance of Sibelius’s Fifth Symphony was similarly fresh and fascinating. He brought out details and transformations which in most performances don’t rise above the subliminal level – a composer’s eye-view, and well worth having."
The Scotsman

"For a composer barely in his thirties to emerge as a star in an international symphony concert, not just for his music but for his conducting too, is a formidable achievement.… on this showing he is a natural on the rostrum, stirring the Philharmonia players not just to play with precision but to give of their hearts."
The Guardian

"However fascinating, gripping, challenging, contemporary music may be, it isn’t often that it makes direct human contact like this"
Gramophone

"The composer himself directed this electrifying performance, revealing a work that was strongly felt and superbly judged."
Scotland on Sunday

"Tuesday’s Philharmonia concert brought one outright triumph when James MacMillan conducted his The Confession of Isobel Gowdie. Many details emerged more clearly than in the BBC Scottish Symphony Orchestra’s Prom last year and the dramatic sense was stronger."
Independent

"James MacMillan conducted the London Sinfonietta in the most satisfying of the concerts I have so far heard in this season devoted to his music."
Glasgow Herald

"The composer directed this electric performance himself, giving the work an intelligible shape. It is hard to think of another contemporary figure who is so lyrical and dramatic, and yet so thoroughly in command of his material."
The Independent

"And he can make his own music work from the rostrum – surely one of the few conducting composers with real body rhythm."
The Scotsman

"What is more, James MacMillan’s precise and forceful direction ensured that this first performance was accurately and confidently executed."
Glasgow Herald

"Full-blooded and sensitive, the performance – with the composer as conductor – projected the passion and poignancy of the music with intensity."
Glasgow Herald

"In two premieres in as many weeks, MacMillan has directed unusual and complex forces with assurance and charm. His style is direct and answers the problems posed with elegance and humour."
The Scotsman

"Then came the tour de force, with James MacMillan conducting a shattering performance of his highly political response to Latin American repression, Busqueda. It’s not just the range of emotions encompassed in the work, it’s MacMillan’s uncanny manipulation of their flow, and the resultant tension in the listeners, that makes this piece so riveting, so moving."
Glasgow Herald

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